The back catalog Jason Molina is prolific to say the least,
but my favorite thing he ever released was a little bonus CD that came with the
vinyl pressing of Songs: Ohia’s The
Magnolia Electric Company. It’s a stolen favorite, because I was only
really made aware of its existence by a tour diary John Vanderslice put up on
his blog in the mid 00s that sung the disc’s praises. His entries routinely
featured quotes from the album. Every single line lifted was the most sad,
gorgeous, poignant thing I’d ever read.
Everything you hated
me for
Honey, there was so
much more
I just didn’t get busted
I just didn’t get busted
Right in the guts. That is a line that has stuck with me all
these years and whenever I hear “Just be Simple,” whatever version, I always
make sure to make the room or whomever I’m with quiet so I can let it hit me
again. It haunts me over time, the way all of his songs haunt me over time. The
way all of his songs are haunted and populated by ghosts and the blues. Lonely
highways and the moon. Always the moon figuring prominently; a sort of mythical
figure haunting the land, maintaining order in its coming and going.
Mama here comes
midnight with the dead moon in its jaws
Looks like the big
star’s about to fall
I have bonded with many men over Jason Molina. Our mutual
appreciation is well known. We were the guys who would make a special effort to
go to his shows every time he came through town. That weird looking guy with
the huge eyebrows and either a t-shirt or a fancy button up western shirt with
a bolo tie. Always with that huge beastly man with the curly hair rocking out
next to him with a fundamental righteousness that made your spine tingle. As if
his conviction gave all the songs that extra push they needed to break your
heart. At their core these songs feel designed to be played solo by a sad
lonely man with nothing but an acoustic guitar and the blues, but the backing
band he’d found in Magnolia Electric Company his songs took on a violent power.
They went from the blues to being straight up mythic. And sure Molina is dead
now and his band dies with him but my memories of seeing them live all those
times, just rocking out with such a beautiful purity, those memories are still
so fresh and that’s where the sadness creeps in from.
Now count every
rhododendron in this cool mountain light
I made more mistakes
than that just tonight
So all of you folks in
heaven not too busy ringing the bell
Some of us down here
ain’t doing very well
Some of us with our windows open at the Southern Cross Motel
Some of us with our windows open at the Southern Cross Motel
When a sad songwriter dies I feel like the instinct is to
reevaluate his catalog. It’s not like any effort is required, it just becomes
requisite every time you drop the needle. It’s obvious that there are much
greater tragedies than the death of a man. In just this past week alone—a solid
month plus since Molina’s death—there has been a marathon bombing and a
fertilizer factory explosion. People die tragically every day and hopefully
those people have someone there to mourn for them. I can’t help but mourn for
Molina though I didn’t know him personally. His songs are his own little eulogy
to himself now and while I feel like maybe some might read into them and look
for a cry for help, I don’t know if Molina could have been helped. It’s a sweet
concept but deep down some things are just so wrong they just eat you up and
eventually destroy you. And it’s heartbreaking that Molina was eaten up and
destroyed by alcoholism and I wish I could go back in Jeff Mangum’s would-be
time machine and save him. We all do, I’m sure. Even if it meant giving up the
tremendous catalog of blues with which he graced the world.
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