Gram Parsons – GP
Reprise, 1973
It’s hard to find a more beautiful pair of duetters than
Gram Parsons and Emmylou Harris. The tenderness they achieve on “A Song For
You” is something outrageously special. You can tell Parsons—the son of wealth
and privilege—is trying VERY hard to be a good old boy, and actually
succeeding. Granted, the backing band he threw together is doing most of the
heavy lifting, what with all those mournful fiddles and all, but it’s the way Parsons
sells his compositions that is so impressive. He’s not a great singer in the
classical sense, but it doesn’t matter because he gets across what he needs to
get across. You feel like you’re slipping on his drug-addled shoes. The covers
he does feel like the cement he mixed himself to bring in that legitimacy I was
talking about, but his originals are what make this album special. The
aforementioned “A Song for You” is one of his best , but then you’ve got tunes
like “Kiss the Children” and “How Much I’ve Lied” which feel like they’re
trying to sneak into the classic country & western songbook. And then
there’s the obnoxious shit-kicker “Big Mouth Blues” that caps the record off, a
song I relate to on a deep personal level because, like the protagonist, I can
never keep my big goddamn mouth shut. Overall GP is a better record than the posthumously compiled Grievous Angel, even though the latter
features most of Parsons’ best songs. This one feels more complete, though.
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