Jim Guthrie – Takes
Time
Static Clang, 2013
The title of Jim Guthrie’s latest album comes across like a
tongue-in-cheek nod to Takes Time
being his first album in ten years. Guthrie’s 2003 album Now, More Than Ever is still one of those albums I try to spread
Johnny Appleseed style. It’s just so fucking good, and I can’t believe no one
has ever heard it (outside of Canada, where it was nominated for a Juno award).
Guthrie’s blend of folk and indie-pop makes for a supremely pleasant, life
affirming sound. I loved (and still love) Now,
More Than Ever’s lead-off track “Problems With Solutions” so much I used it
as the name of my mini comic and first blog. Whenever I see a copy for two
bucks on in some clearance section at some record store I buy it because I know
I know someone who would appreciate Guthrie’s talents. His ability to write
songs that are both lighthearted and buoyant yet also packed with considerable
depth. And here I am, writing about an album that is ten years old like it just
came out yesterday. It’s timeless and tied to a piece of part of my life that
was one of the best parts of my life.
It took time before I was able to truly address my affinity
for Takes Time. It’s not as good as Now, More Than Ever, but that’s ok. I’m
biased. I’ve had spent ten years with that album and I’ve spent maybe six
months with this one. A long six months, though. Takes Time is one of the albums I’ve spent the most time with all
year because I knew it had to be a grower when I was initially let down. I’m
finally ready to say it’s one of my favorite albums of 2013. Not because it’s a
great album, but because it satisfies this part of my soul that only Jim
Guthrie can satisfy, and that’s the most important thing. There’s levity and
depth and this general feeling of wellbeing that washes over me when I listen
to these songs. The way I Heart Huckabees
made me feel when I saw it in the theater. So good that I subsequently went
back once a week until they stopped playing it at Liberty Hall. Takes Time is one of those albums that
makes me recognize my place in the grand scheme. There’s something about the
gorgeous, melancholy melody of “The Rest is Yet to Come,” backed up by an
incredibly bright arrangement of acoustic guitar and strings.
While Takes Time
might not be as lyrically fantastic as Now,
More Than Ever, his arrangements here are his best yet. While it took him
ten years to release a new album, Guthrie wasn’t just sitting around twiddling
his thumbs. He spent a decent chunk of time in Nick Thorburn’s post Unicorns
project Islands and subsequently released a one-off album with Thorburn under
the moniker Human Highway. He recorded the music for the indie video game Sword & Sworcery and Indie Game: The Movie and overall,
Guthrie is much more well-rounded than he was ten years ago even if Takes Time isn’t as cohesive as it could
be. Either way, I’m just happy Jim Guthrie is back and can only hope and pray
that his follow up to this one doesn’t take another ten years.
"The Rest is Yet to Come"
"Bring on the Night"
No comments:
Post a Comment